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The Guns N' Roses reunion and the future of angry young men

Guns N’ Roses are only seven minutes late for their Saturday Coachella set, which is very close to actually being on time.

There is a horrible second, right before they come out, when the Looney Tunes "That’s all folks" jingle plays and I am briefly convinced we are being pranked. It wouldn’t be out of the question — in fact, this reunion has seemed unlikely ever since it was announced in January, especially given the enmity between Slash and Axl. Before this tour the two hadn’t played together since 1993. There have been riots before, when Axl didn’t show up. I am suddenly, uncomfortably, aware of being surrounded by thousands of people, and well away from an exit.

I AM BRIEFLY CONVINCED WE ARE BEING PRANKED

Adding to my sudden fearfulness: this is Coachella, a cosplay convention for the wealthy children of LA. All the press making fun of the flower crowns and crocheted white dresses has in no way deterred the legions of women decked out in them; the men tend toward the frat boy standard — T-shirts, baseball caps, and cargo shorts — though a brave few appear to be wearing the beta versions of their Burning Man costumes. In general, though, it’s more of an EDM crowd than a metal one. Of course this is a joke. Why would Guns N’ Roses play here?

And then, the opening notes of "It’s So Easy."

The voice is unmistakable. Axl’s voice resonates in a way few other singers’ voices do; rattling around the sinus cavities, vibrating in the skull. You feel it as much as hear it. His breath control is great. The vibrato is still rich and open, even after some scream-singing.Holy shit.

GNR might have once been the most dangerous band in the world, but has also been one of the commercially viable. The band has sold 44.5 million albums in the US alone. This explains why Coachella was interested in the reunion, anyway. After all, fans have been hoping for a reunion for years — specifically of the One True Lineup of W. Axl Rose, Slash, Izzy Stradlin, Steven Adler, and Duff McKagan.

The One True Lineup made the album everyone agrees on: the 1987 debut Appetite for Destruction, which has sold more than 18 million copies. That puts the album in the neighborhood of The Beatles. On the strength of that album, and its number one single, "Sweet Child O’ Mine," Guns N’ Roses turned into the biggest band in the world. GNR were opening for Aerosmith in 1988, according to Aerosmith manager Tim Collins, whenRolling Stone showed up, ostensibly to write about Aerosmith. Guns N’ Roses got the cover — Aerosmith had been upstaged by their opening actGuns N’ Roses were unusually good musicians, but they also made unusually aggressive music. The fury in a lot of these songs is something a lot of us feel but rarely express. When I listen to "You Could Be Mine," I am not the "you" of the title. Instead, I identify with Axl. I’m the cold heartbreaker fit to burn, and my good-for-nothing ex-boyfriend should be glad I showed up in his life at all. Being angry about how he treated me beats being sad about how the relationship ended. Maybe that’s the secret of Guns N’ Roses’ success: they’re a sanctioned release valve for over-the-top rage. And that rage is really just a refuge from sadness and helplessness. Anger is seductive; it can make you feel powerful.That lineup lasted for exactly one album. By 1990, when the band returned to record Use Your Illusion I and II, drummer Steven Adler could barely keep time. Drugs, you know. Anyway, 30 takes were required for "Civil War." Adler was the first band member to be replaced — by Matt Sorum, who had previously played for The Cult. But that didn’t kill fan interest. When the albums were released in September 1991, they debuted at number one and two on the Billboard charts. People waited in line to buy the album at midnight, and within two hours, 50,000 CDs were sold. Their 28-month tour in support of the album brought out about 7 million people.

Seduction is kind of the key, here. Because in addition to anger, Guns N’ Roses has some surprisingly sweet ballads. Their most-successful song isn’t one that thunders out of the gate — it’s "Sweet Child O’ Mine," where Axl explicitly identifies the woman he’s singing to as a shelter from all that fury
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This post was written by: Raymond Jack

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